《黄钟》编辑部
【中国音乐史】唐代伎乐的守成与新变
2017-01-21  来源:  点击数:

夏滟洲

摘 要:唐代宫廷音乐中,多部伎的形成与运用,有其深刻的政治社会背景。从唐初对九部乐的改订到十部乐之用,再到二部伎的增造,充分地说明了这一点。随着唐代将散乐列于乐部,隐藏于多部伎创制中的因素被激发出来,从而形成了唐代多样化、娱乐化的伎乐体系,促进了诸多新的、普世性、社会性音乐品类流行,中古音乐雅俗之分出现,中古伎乐演化初步实现。

关键词:中国音乐史;唐代;多部伎;转型

The Maintaining and Innovation of Ji Yue Music in Tang Dynasty

XIA Yan-zhou

Abstract: In the royal court music of the Tang Dynasty, the formation and application of the duobuji had its profound political and social background. It was fully illustrated this point that from reformulating jiubuyue (nine kinds of music) to using shibuyue (ten kinds of music), and then to adding erbuji (mainly refers to sit, stand two forms of performance) in the early years of Tang Dynasty. With Sanyue (folk music and dance) listed in yuebu (Country music official) in Tang Dynasty, it stimulated out the factors hidden in the creation of duobuij, thus forming the system of jiyue of diversification and entertainment in Tang Dynasty, to promote a lot of new, universal, and social category of music popular, the music in Han and Tang Dynasties appearing the separation of ceremonial classic music and folk music, and initial realization the evolution of jiyue in Han and Tang Dynasties.

Key Words: history of Chinese music, Tang Dynasty (618-907), duobuji, transformation

上一条:【宗教音乐】陈国符道教音乐研究之历史及现实意义的理解与认知
下一条:【中国音乐史】乐语视域下的“琵琶之‘饮’”与“马上相‘催’”

关闭