【作曲技术理论】相西源艺术歌曲的本土化创作特征-武汉音乐学院
《黄钟》编辑部
【作曲技术理论】相西源艺术歌曲的本土化创作特征
——以《青海的歌——相西源独唱艺术歌曲选集》为例
2017-01-21  来源:  点击数:

杨正君

摘 要:作曲家相西源的音乐创作具有浓郁的民族风格和地域特征。《青海的歌——相西源独唱艺术歌曲选集》中的歌曲,作曲家主要通过旋律自身的调式、节奏、线条、陈述结构的民族化,织体的意境化与线性化,以及非功能性的中国民族调式和声手法等进行了本土化处理,在最大程度上保证了艺术性与民族性的高度统一。

关键词:相西源;艺术歌曲;青海的歌;创作特征;本土化

On the Localized Creative Characteristics of Xiang Xiyuan’s Art Songs

— Taking Song of Qinghai — Xiang Xiyuan’s Selected Works of Solo Art Songs as an Example

YANG Zheng-jun

Abstract: Composer Xiang Xiyuan’s music creation has a strong national style and geographical characteristics. For the songs from Song of Qinghai — Xiang Xiyuan’s Selected Works of Solo Art Songs, the composer mainly through nationalization of the mode, rhythm, lines and state structure of the melody itself, linearization of texture, and the method of non-functional Chinese national modes harmony dealt with the localization, to ensure a high degree of the unity of artistry and ethnicity.

Key Words: Xiang Xiyuan (1962- ), art songs, Song of Qinghai, creative feature, localization

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