【作曲技术理论】梅西安晚期管弦乐作品的创作特征-武汉音乐学院
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【作曲技术理论】梅西安晚期管弦乐作品的创作特征
2016-06-26  来源:  点击数:

汪胜付

摘要:文章以法国作曲家奥利维耶·梅西安(Olivier Messiaen,1908~1992)在20世纪70年代以后创作的管弦乐作品为研究对象,归纳总结了梅西安晚期六部管弦乐作品在创作上的主要特点。首先,结构思维上体现出多材料、多色彩并置与对称性;其次,在音乐创作上受到了更宽泛的“联觉”影响;再次,晚期六部管弦乐作品充分表现出鸟歌的交响性;最后,这六部管弦乐作品受到宗教题材的深远影响。

关键词:[法]梅西安;管弦乐;结构思维;联觉;鸟歌

Composition Characteristics of Olivier Messiaen’s Later Orchestral Works

WANGSheng-fu

Abstract: Olivier Messiaen (1908~1992) was a great French composer of the 20th century. This paper discussed his later orchestral works composed after the 1970s, which were rarely analyzed or studied in China. Main composition characteristics of Messiaen’s last six orchestral works were analyzed and summarized as follows. Firstly, in the aspect of structure thinking, his works used multi-materials, multi-color juxtaposition and symmetry. Secondly, his composition was more extensively influenced by synaesthesia. Thirdly, symphonic characteristics of birdsongs were fully demonstrated in his last six orchestral works. Finally, just like his other works, these six works were deeply influenced by religion or relevant themes.

Key Words: Olivier Messiaen (1908~1992), orchestral works, aspect of structure, synaesthesia, birdsongs

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