【中国音乐史】试述西汉音律思想的易学转折-武汉音乐学院
《黄钟》编辑部
【中国音乐史】试述西汉音律思想的易学转折
2016-05-17  来源:  点击数:

孙艮陶

摘要:中国古代音律理论早期主要围绕五音、六律展开。《管子》中即有对五音理论完备的论述,包括音色、五音内部派生法则以及五音之“数”的概念。之后五音内部的派生法则及“数”被扩展至六律中,《淮南子》对此记载甚详。至西汉中后期,受气化宇宙论以及象数易学影响,音律理论又融入了易学因素,产生了易学化转变倾向。

关键词:西汉;易学;音律思想;五音;六律

Transformation of Musical Temperament in Western Han Dynasty

SUN Gen-tao

AbstractEarly Chinese ancient temperament theory mainly focus on the five notes and six (both are Chinese traditional music concept). The book Guanzi has contained complete description about five notes, such as timbre, internal derived law and number of the five notes. In the process of progressive development of music theory, the basic law has extended to six , mainly founded in the book of Huainanzi. To the late Western Han Dynasty, influenced by the theory of Qi-Cosmology and Image-Number Yit heory, the temperament theory absorbed the factors of Yi theory, which produce the transformation of Yi theory tendency.

Key Words: Western Han Dynasty, Yi theory, music theory, five notes, six

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