《黄钟》编辑部
【音乐史】大晟钟的复原研究与仿制试验
2016-03-08  来源:  点击数:

李幼平

摘要:大晟钟是北宋徽宗年间推行大晟新乐时期铸制、使用的代表性宫廷乐器,体现了北宋时期金石学研究、编钟理论探讨以及宫廷雅乐艺术实践的历史风貌及其特征。笔者以丰富的历史文献史料为依据,结合留存至今的30余件实物,开展大晟钟的复原研究暨在此基础上的仿制或重制试验,既能进一步了解宋代青铜编钟的时代特点,更能有效揭示大晟钟的律器(音高标准器)功能特征,同时也能为认识中国传统编钟在宋代的历史嬗变提供第一手资料。

关键词:大晟钟;复原;仿(重)制;研究;试验

Experiment of Remake and Research of Restore for Da-sheng Bell

LI You-ping

Abstract: Da-sheng Bell was representative palace instrument that casted and used to push for Da-sheng new music in Huizong years of Northern Song Dynasty, and it reflecting the historical style and features of researching the inscriptions on ancient bronzes and stone tablets, exploring China Bells theory, and art practice of palace Yayue (ceremonial classic music). Based on a wealth of historical documents data, combined retained 30 more material objects nowadays, author carried out the restoring study Da-sheng Bell and on this basis doing experiment of remaking. This could be further understand the times characteristics of bronze bells in Song Dynasty, and more could effectively reveal the functionality features of temperament utensil (implement of pitch standard) of Da-sheng Bell, and meanwhile it provided the first-hand information for understanding the evolution of Chinese traditional bells in Song Dynasty.

Key Words: Da-sheng Bell, restore, remake, research, experiment

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