《黄钟》编辑部
【音乐史】《乐学轨范》之“六十调”、“时用雅乐十二律七声图”研究
2016-03-08  来源:  点击数:

王洪军

摘要:文章在对《乐学轨范》卷之一的“六十调”及“时用雅乐十二律七声图”全面解读的基础上,将其同晚于该书33年成书的《钟律通考》之“六十调”及“八十四声”进行了比较探讨,并对中国传统音乐理论的建构提出了三点新认识。

关键词:《乐学轨范》;六十调;八十四声;中国传统音乐理论建构

Study on the “Liushi Diao” and “Shi Yong Yayue Shi Er Lü Qi Sheng Tu” in Yue Xue Gui Fan

WANG Hong-jun

Abstract: Based on comprehensive analysis and understanding the “Liushi Diao” (sixty tunes) and “Shi Yong Yayue(court music) Shi Er Lü Qi Sheng Tu” in the first volume of Yue Xue Gui Fan, and compared explored it with the “Liushi Diao” (sixty tunes) and Bashisi Sheng (eighty four tones) in Zhong Lü Tong Kao (written after 33 years), the author proposed three new understanding for construction of Chinese traditional music theory.

Key Words:Yue Xue Gui Fan, Liushi Diao (sixty tunes), Bashisi Sheng (eighty four tones), construction of Chinese traditional music theory

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