《黄钟》编辑部
【中西音乐史】论元明曲学论著的目录著录与学术品格
2016-02-22  来源:  点击数:

叶天山

摘要:虽然明代藏书家不都是曲学家,但若干藏书目依然反映出当时人在曲学研究方面的学术意识与研究成果。他们大多将曲学论著纳入集部词曲(调)类的思想观念影响了清人,而其在著录事项方面的交代也为清人提供借鉴。由明至清,曲学论著的著录体例整体上呈现由简趋繁的历史过程。清人逐渐将著录事项常态化与完备化。一些明清藏书目录在著录曲学论著时体现出较为明确的部类意识。从客观的成果和观念的自觉来看,元明曲学论著具有相对独立的学术地位。

关键词:曲学论著;著录;书目;学术地位

Study on The Catalogue and Academic Character of Drama Theory Literaturein Yuan and Ming Dynasty

YE Tian-shan

(East China Normal University Chinese Department, Shanghai 200241)

Abstract:Although book owners weren't absolutly drama scientists in the Ming Dynasty, most bibliographies still reflect people’s academic consciousness and research results. Most of them put drama theory literature into Ci&Qu, this idea influenced the Qing. It is the same as catalogue items. Form Ming to Qing, these catalogue regulations presented complicated normalized and completed. Some book owners have some clear class consciousness. As far as objective results and concept of consciousness, the drama theory literature of Yuan and Ming Dynasties has relatively independent academic status.

Key Words:drama theory literature, catalogue, bibliography, academic status

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