【作曲技术理论与作品研究】同级和弦群与同名调群-武汉音乐学院
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【作曲技术理论与作品研究】同级和弦群与同名调群
——萨蒂《季姆诺佩蒂》和声现象分析与理论归纳
2015-11-04  来源:  点击数:

胡向阳

摘要:《季姆诺佩蒂》是法国作曲家萨蒂于1888年创作的一部钢琴组曲,其音乐风格新颖,和声音响独特,明显有别于当时的主流音乐。作品中,萨蒂大量使用大七和弦、小七和弦,频繁使用九和弦、十一和弦,着力表现和声的色彩功能;他常常使用同低音和弦手法,着力表现和弦之间的音响差异,凸显和声色彩的多样性;他以主音为基点,将大小调及中古调式合为一体,构建同名调群,使之成为音乐创作的“和声色彩库”。在此基础上,生成同级和弦群,与同名调群相辅相成,从而展现出类型多样、色彩丰富的和声形态。

关键词:萨蒂;季姆诺佩蒂;同级和弦群;同名调群

On the Chord Group in the Same Degrees and the Modes Group with the Same Title

HU Xiang-yang

Abstract:Gymnop é dies was a piano suite composed by French composer Satie in 1888, its novel music style, unique acoustic sound significantly different from the mainstream music. Satie extensive used of major and minor seventh chord, frequently used ninth, eleventh chords, focus on expression of the harmonic color function; he often used the technique of the chords with the same bass, expressing the different acoustic sound among the chords, showed the diversity of the harmonic color; he used tonic as the base point, making the major and minor with medieval mode as one, to build up modes group with the same title, formed a “bank of harmonic color” for music creation. Based on those technique, it generated the chord group in the same degrees, and modes group with the same title supplement each other, which showed the harmonic forms with rich color, and diverse types.

Key Words: Erik Satie (1866–1925), Gymnop é dies (1888), chord group in the same degrees, modes group with the same title

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