【作曲技术理论与作品研究】隐性的创新-武汉音乐学院
《黄钟》编辑部
【作曲技术理论与作品研究】隐性的创新
——谈库塔克创作技法的继承与延伸式创新
2015-11-04  来源:  点击数:

王 鹏

摘要:文章试摘取库塔克不同时期、不同编制的几部室内乐作品,通过对其分析与梳理,看库塔克在创作的技术运用中的借鉴,以及在此基础上的延伸式创新。具体如对巴托克“对称”技术的借鉴运用,以及作曲家偏爱的半音阶、“裁截音程”等技术。这些技术的运用并非“激进”的革新,却同样具有创新性与启发性。

关键词:库塔克;作曲技法;对称技术;半音阶;裁截音程

Recessive Creation

– On Kurtág Inheritance of Creative Techniques and Extending Innovation

WANG Peng

Abstract: Through analysis and sorted out several chamber music works by Kurtág composed in different periods and with different establishment, this paper explored Kurtág using reference in creative techniques, and based on it to extending innovation. Such as reference using Bartók’s technique of “symmetry”, as well as the composer’s favored chromatic scale, “interval of cut interception” and other techniques, even those usage of techniques were not “radical” innovation, but also possessed innovation and the thought-provoking.

Key Words: György Kurtág (1926– ), composition techniques, symmetry technique, chromatic scale, interval of cut interception

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