《黄钟》编辑部
【作曲技术理论与作品研究】继承·融汇·创新
——关于普罗科菲耶夫钢琴小品的和声语言
2015-11-03  来源:  点击数:

王 伟

摘要:文章是作者针对普罗科菲耶夫钢琴小品和声语言研究的系列之一,以普罗科菲耶夫钢琴小品为研究材料,从和声语汇、调式调性、整体布局三方面对普罗科菲耶夫的钢琴小品进行探讨,希望对中国作曲家的创作具有一定的参考价值。

关键词:普罗科菲耶夫;钢琴小品;和声;和声语汇;调式调性;整体布局

Inheriting, Integration, Innovation

– the Harmonic Language in Prokofiev’s Piano Pieces

WANG Wei

Abstract: This paper is one of a series of researching harmonic language in Prokofiev’s piano pieces, which selected Prokofiev’s piano pieces as research materials, to explore those pieces from three aspects of harmonic vocabulary, modes tonality, and integral distribution. The author wished this discussion would have some reference values for Chinese composers’ creations.

Key Words: Sergei Prokofiev (1891–1953), piano piece, harmony, harmonic vocabulary, modes tonality, integral distribution

上一条:【作曲技术理论与作品研究】隐性的创新
下一条:【作曲技术理论与作品研究】视觉与听觉相互作用所产生的画面感

关闭