《黄钟》编辑部
【作曲技术理论】电子音乐作品在Maxmsp平台下彰显东方意蕴
——吴粤北《嗟叹之Ⅱ》音乐分析
2015-06-02  来源:  点击数:

刘思军

摘要:当下电子音乐的发展已经进入计算机编程时期,Maxmsp平台的出现,确立了计算机情境下的全新层面,中国电子音乐作品中的“东方语境”,彰显了这一时期作曲家们的时代追求及民族自觉性。吴粤北在《嗟叹之Ⅱ》中依照中西合璧的创作理念,运用计算机Maxmsp编程的技术路线,融入深层次的东方文化概念,将计算机的情境与文化的传承完美结合,彰显出东方意蕴在电子音乐中的美学存在感。

关键词:吴粤北;《嗟叹之II》;Maxmsp编程;交互作曲;东方语境

Showing the Oriental Implication for Electronic Music Works on the Platform of Maxmsp

LIU Si-jun

Abstract: The development of electronic music has entered the period of computer programming at present, and that the emergence of Maxmsp platform established a new level of computer situation, the “Oriental context” in the work of Chinese electronic music showed the era of the pursuit and national consciousness possessed by the composers during this period. Based on the creative ideas of combination of Chinese and Western elements, Wu Yuebei created Jie Tan (Lamentation) II, which used of computer Maxmsp programming technique, incorporated ideas of oriental culture in deeper level, made the computer situation with cultural impart and inherit together perfect, showed the aesthetic exist sense of Oriental implication in the electronic music.

Key Words: Wu Yubei (1957 - ), Jie Tan (Lamentation) II, Maxmsp programming, interactive composition, oriental context

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