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【作曲技术理论】庭园美学在武满彻管弦乐曲《梦·窗》配器中的呈现
2015-06-02  来源:  点击数:

朱依依

摘要:庭园美学是根据日本禅宗美学而来的关于庭园设计的感性认知和理念集合,这种美学观念被日本作曲家武满彻所青睐并运用于其诸多管弦乐作品中,《梦•窗》就是其中之一。该文运用于京君在《配器新说》一文中提出的现代配器理论,系统地分析了武满彻的管弦乐作品《梦•窗》。通过分析这部作品配器中音色的形成机制与舞台空间的运用、基本音高素材历时性与共时性的写作特性,揭示了“庭园美学”在具体配器技法中的运用和显现。

关键词:武满彻;《梦·窗》;庭园美学;配器

On the Garden Aesthetics Presented in the Instrumentation of Takemitsu’s Orchestra Dream/Window

ZHU Yi-yi

Abstract: The garden aesthetics is a collection of perceptual cognizance and ideas about garden design based on Zen aesthetics. This kind of aesthetics conception was favored by Japanese composer Takemitsu and heused it in numbers of his orchestral works, Dream/Window was one of them. Used the modern theory of orchestration proposed by JulianYu in New Theory of Orchestration, this article systematically analyzed Toru Takemitsu’s orchestration work Dream/Window. Through analyzed the timbre of the formation mechanism in orchestration of the work and the usage of stage space, the compositional characters of using basic pitch materials diachronic and synchronicity, explored the “garden aesthetics” used and presented in the specific techniques of instrumentation.

Key Words: Toru Takemitsu (1930-1996), Dream/Window (orchestra, 1985), garden aesthetics, instrumentation

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