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【音乐史论与音乐文献学】贝多芬《bE大调钢琴奏鸣曲》(Op.31-3)的隐性叙事
2015-02-08  来源:  点击数:

邹 彦、刘 莉

摘要:文章从音乐叙事学和音乐修辞学的理论出发,从“显在叙事层”、“潜在叙事层”和“意象叙事层”三个层面入手,将贝多芬的这部奏鸣曲置于音乐体裁和音乐史学研究的背景之下,旁及音乐织体写作、音乐记谱的相关内容,对其中特殊的修辞所体现出的叙事内涵做出了解读。

关键词:音乐分析;修辞;叙事;音乐体裁

On the Implicit Narrative of Beethoven Piano Sonata no. 18 in E flat Major, Op.31, no. 3

ZOU Yan & LIU Li

Abstract: Starting from the theory of musical narratology and musical rhetoric, this article discussed this sonata of Beethoven on three levels of “layer of evident narration”, “layer of latent narration” and “layer of image narrative”, under the background of researching music genres and musical historiography, related to the content of musical texture writing and notation, interpreted the narrative connotation embodied by special rhetoric in it.

Key Words: musical analysis, rhetoric, narrative, music genres

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