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《黄钟》2014年第三期英文目录

CONTENTS

Technological Theories of Composing

My Opinion on Discipline Construction of “Musical Analytics”

ZHENG Ying-lie

On the Rule and Logic of Linear Counterpoint in the early 20th Century

LIU Yong-ping

On the Specific Pattern of Brahms’ Symphonies

ZHANG Jing

Based on the Self-Similarity Principle in Music

XIAO Wu-xiong

The Implementation and Application of Algorithmic Composition based on Dynamic FM Synthesis

LI Yun-peng

On Cross the Border of the Style in Bernstein’s Jazz Fugue

WANG Qiu

On the Creative Ideas of Opera from Da Qin Ling Qu

XUAN Si

Musical Historiography& Musical Aesthetics

On Textual Research of the Historical Adaptation of Tune of Long Chuan

ZHAO Juan & YU Kai-ji

Review on the Beginning of the History of “Music Season” in China

WANG Yan-li

On Huangmen Guchui as the Function of Ceremonial Band

TAO Cheng-tao

On Qin-Songs of Wu Zhi Zhai Qin Pu (Music Score)

LI Li-si & WANG An-chao

To Analysis of Chorus in Baroque Era with Aesthetics Thoughts

ZOU Li-xia

Ethnomusicology

On “San Zu Ding” of “Born All Things” in both of Chinese and Western Music

LIU Zheng-wei

On The Classify and Artistic Characteristics of Work Song in Yuanling in Hunan Province

LIU Yi-qun

Musical Pedagogy

Embody the Local Music Color in Vocal Singing with Chinese Traditional Style

XU Hua

Research on Han Opera into the System of Music Education in High Normal College

ZHAO Yu-wei & ZHOU Xi -zheng

To Analysis and Improve Suggestion on the Teaching Mode of Popular Singing at Present

YU Zheng-yi &WANG Li

Research on Interactive Music Education Model Based on Education Cloud

YAN Da-wei, TU Bo & HUANG Xiao-lei

On the Enlightenment and Changes of the American Music Teacher’s Education Courses

XU Jing-jing

Musical Performance

To Explore the Processing Mode of Piano Performing from the Internal Logic of Structure of Ligeti’s Musica ricercate

HE Yi

On Claudio Abbado’s Conducting

ZHOU Jin

To Compare the Original Version with Flute Adaptation of Sarasate’s Zigeunerweisen

ZHANG Bin

On the Issue of Music Performer’s Stage Fright

YANG Wei

Comparative Research Two Editions of Brahms’ Piano Trio No.1 in B Major, Op. 8

ZHOU Dan

Musical Communication& Music Review

On the Changes of Traditional Music Transmission Mode

LI Jun

Evaluate on the Audio-Visual Concert of “Liberation of Sensibility”

TIAN Ke-wen