《黄钟》编辑部
【作曲技术理论】“音乐分析学”学科建设之我见
——在武汉音乐学院60周年校庆的专题发言
2014-09-25  来源:  点击数:

郑英烈

摘要:该文提出了四个观点:一、“音乐分析学”是改革开放以后出现的一门新学科,涵盖了和声、复调、曲式、配器、音乐史、音乐美学等学科,应属高一级的学科,而“作品分析”只是“曲式学”的同义词。作者呼吁,不要再把“曲式学”称为“作品分析”,以免造成概念上的混乱。二、近年出现的“音乐学分析”是“音乐分析”的一种类别,有别于纯技术分析,但“音乐学分析”必须是在技术分析的基础上,加人文分析的全方位分析。三、指出目前音乐教育中“音乐学”和“作曲技术理论”被分割开来的不合理性。四、提出开设“音乐分析学”必须有相应的预备课,如和声发展史、勋伯格的十二音体系、兴德米特的和声原理、阿伦•福特的音级集合原理、雷蒂的泛调性理论等。

关键词:音乐分析学;音乐学分析;音乐学;作曲技术理论

My Opinion on Discipline Construction of “Musical Analytics”

ZHENG Ying-lie

Abstract: This paper presented four views: 1) The “musicalanalytics”, appeared after the period of reform and opening, was a new discipline, covering the harmony, polyphony, form, instrumentation, musichistory, musical esthetics, and other subjects, should be a high level of discipline, while the “analysis of music work” only a synonyms for “music forms”.The author appealed that doing not calling the “music forms” as “analysis ofmusic work”, so as not to cause the confusion of concepts. 2) The “musicologicalanalysis”, appeared in recent years, being a category of “music analysis”,which different from the pure technical analysis, but it must be an comprehensive one based on the technical analysis, and added cultural analysis. 3) The author pointed out that it has been irrationality for separating the “musicology”and “theories of compositional technique” in music education at present. 4) This article also suggested that to open a series of preparation course for “musicalanalytics”, such as the history of harmony, Twelve-note system by Schoenberg, theory of harmony by Hindemith, Pitch-class set-theoretic principles by Allen Forte, and Pantonality by Rudolph Réti, etc.

Key Words: music alanalytics, musicological analysis, musicology, theories of compositional technique

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