《黄钟》编辑部
【作曲技术理论】伯恩斯坦爵士赋格的风格越界
2014-09-23  来源:  点击数:

王球

摘要:该文以美国指挥家、作曲家伦纳德·伯恩斯坦的一首爵士风格赋格曲为研究对象,对如何处理古老体裁形式与现代音乐风格之间、高雅艺术音乐与通俗娱乐音乐之间、严格逻辑论证与自由即兴演绎之间、复调线性对位与主调和声律动之间、传统调式调性与爵士音阶音级之间的关系做辩证研究,论证了赋格与现代音乐“越界”联姻的可行性。

关键词:伯恩斯坦;爵士赋格;布鲁斯音阶;点描法;多节拍对位;风格越界

On Cross the Border of the Stylein Bernstein’s Jazz Fugue

WANG Qiu

Abstract: The article chose American conductor and composer Leonard Bernstein’s fugue piece with jazz style as a research object, made a dialectical study on the relations between how to deal with the old type of form and modern music style, the classical music and popular one, strictlogical argumentation and free impromptu playing, the linear counterpoint of polyphony and harmony rhythm of homophony, the tonality of traditional mode anddegree of jazz scale, and demonstration the feasibility of “cross the border”combining the fugue with modern music.

Key Words: Leonard Bernstein (1918~1990), jazz fugue, blues scale, pointillism, polymetric counterpoint, Crossover of the style

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