《黄钟》编辑部
【作曲技术理论】从《大秦灵渠》看歌剧的创作理念
2014-09-23  来源:  点击数:

禤思

摘要:由广西艺术学院独立创作演出完成的四幕歌剧《大秦灵渠》以民族间交流与团结共荣为主题,通过精湛的创作技法和精致的演艺水准,赋予了本作品较高的艺术价值。该作品作为西洋技法与民族音调的联姻,在巧妙运用民族音乐素材的基础上,以传统作曲技术为主,同时结合运用了多调性、十二音序列、点描法等现代作曲技术来陈述民间传奇故事,使这种广泛采用多种技术和风格于一体的创作方式,显现出作曲家坚实的创作功底和清新、质朴的审美追求。

关键词:大秦灵渠创作技法戏剧结构民族音乐素材创作理念

On the Creative Ideas of Opera from Da Qin Ling Qu

XUANSi

Abstract: The Da Qin Ling Qu, created and performance by Guangxi Arts Institute, was a four-act opera with the subject of the national communication with unity and common prosperity. Through the superbcreative techniques and exquisite performance, this work was one with a highart value. As the combination of Western techniques and Chinese national tones, based on clever use of the folk music materials this opera composed with the traditional techniques mainly, and meanwhile incorporation of the modern composition technology such as polytonality, Twelve-Note Serial, pointillism to statement the folk legend story. The creation method of widely used variety techniques and styles showed the composer’s creation ability with deep foundation, and the aesthetic pursuit of fresh and rustic.

Key Words:Da Qin Ling Qu (opera), the technique of creation, drama structure, folk music material, creative ideas

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